(402) 800-5107‬ [email protected]

Greg Simon

Composer | Jazz Trumpeter | Educator
gregsimonmusic.com
[email protected]
253-677-7326

Awards and Honors

  • 2021 First Prize, Zodiac International Music Competition
  • 2020 Second Prize, Moscow Conservatory New Classics Competition Contemporary Popular Music Division
  • 2018 Winner Phantom Brass International Call for Scores
  • 2018 Artist Residency Kimmel Harding Nelson Center for the Arts
  • 2016 First Prize National Association of Composers/USA (NACUSA) Young Composers Competition
  • 2013-14 Young Composer-in-Residence Detroit Chamber Winds and Strings
  • 2013 Second Prize Austin Peay State University Young Composers’ Competition 2013 Winner, TorQ Percussion Seminar Composition Competition
  • 2013 Winner The Esoterics POLYPHONOS Composers’ Composition Competition 2013 Winner, University of Michigan Brehm Prize in Choral Composition
  • 2013 Resident Composer Mizzou International Composers’ Festival

Commissions

  • 2021 We Interrupt This Transmission for vibraphone and electronics Andy Smith, University of Texas at El Paso
  • 2021 Shocked Quartz for violin, clarinet, piano Zodiac Trio
  • 2021 Here, There Are Voices for MIDI-controlled guitar installation Charley Friedman, visual artist
  • 2019 That One Place Around the Corner for saxophone sextet The Moanin’ Frogs, Los Angeles, CA
  • 2018 Dreaming Stories for mixed chamber ensemble TellTale, Chicago, IL
  • 2017 On Walls for alto saxophone and piano Eddie Goodman, University of Arizona
  • 2017 Lighthouse Fanfares No. 2 for brass quintet Lighthouse Brass, University of Michigan/Grand Valley State University

Performances/Exhibitions of Works

  • 2022
    • Butler University, Indianapolis, IN
    • Taipei National University of the Arts, Taipei, Taiwan Everson Art Museum, Syracuse, NY
    • University of Delaware, Newark, DE
  • 2021
    • NAC Resume
    • Zodiac Trio, New York, NY
    • University of Utah, Salt Lake City, WI
    • Trace Contemporary Ensemble, Lincoln, NE
    • Bemis Center for Contemporary Arts, Omaha, NE
    • Showa University of Music, Asao-ku, Kawasaki, Kanazawa Prefecture, Japan
  • 2020
    • NAC Resume
    • Moscow Conservatory Studio for New Music, Moscow, Russia Aura Contemporary Ensemble, Houston, TX
    • Texas Christian University, Fort Worth, TX
    • Sheldon Art Museum, Lincoln, NE
    • Ju Percussion Group, Taipei, Taiwan
    • BRN Duo, Lake Charles, LA
    • The Moanin’ Frogs, Los Angeles, CA
    • Featured on “Classical Discoveries” from WPRB Princeton
  • 2019
    • NAC Resume
    • Midwest Clinic, Chicago, IL
    • Percussive Arts Society International Convention, Indianapolis, IN UNL Symphony Orchestra, Norfolk, NE and Lincoln, NE
    • Trio Volant, Manchester, UK
    • University of Michigan, Ann Arbor, MI
    • Indiana University Pennsylvania, Indiana, PA
    • Kairos Trio, Cedar Falls, IA

Recordings

  • 2021 Fanfare, Nocturne, Fanfare; Greg Simon Septet Fanfare, Nocturne, Fanfare, Records DK 3150176
  • 2021 The Way Through the Woods; Steven Siegel, trumpet Between Islands, digital release
  • 2019 Blood on the Curb; Kris Carlisle, piano, American Evolution: The Silence Between, 4Tay Records CD 4054
  • 2018 Two Orchids; Kellan Toohey, clarinet; Scenes From Home, MSR Classics MS1656
  • 2017 Step Inside; Rogue Two;
  • Step Inside: New American Music for Saxophone & Percussion, Equilibrium Records EQ146

Recent Compositions

  • 2022 We Interrupt this Transmission for vibraphone and electronics.— 8’
  • 2021 Shocked Quartz for violin, clarinet, and piano — 8’
  • 2021 Here, There Are Voices for MIDI-controlled guitar installation (in collaboration with visual artist Charley Friedman) — 14’
  • 2021 Fanfare, Nocturne, Fanfare for jazz septet with electronics — 18’ 2021 One Last Light for jazz septet — 8’
  • 2021 Never Better for jazz septet — 10’
  • 2020 NAC Resume
  • 2020 Luchín (after Victor) for jazz quartet and string quartet — 8’
  • 2020 A Short Fantasy on ‘El Pueblo Unido Jamás Será Vencido’ for solo performer and electronics — 4’
  • 2020 Reconciliation for fixed-audio electronics — 4’
  • 2019 Quartet for live electronic playback — 5’
  • 2019 Snake Oil for percussion septet — 6’
  • 2019 Parque Araucano for jazz setptet — 6’
  • 2019 That One Place Around the Corner for saxophone sextet — 7’
  • 2019 Dreaming Stories for mixed chamber ensemble — 12’
  • 2019 Promise Me You Won’t Believe A Single Word for orchestra — 19’
  • 2018 Step Inside for flute and percussion — 8’
  • 2018 Nebraska Songbook, Vol. 1 for soprano and piano — 16’
  • 2018 Draw Me the Sun for percussion orchestra — 8’
  • 2018 Desert for fixed-audio electronics — 5’
  • 2017 On Walls for saxophone and piano — 20’
  • 2017 Lighthouse Fanfares No. 2 for brass quintet — 6’
  • 2017 Dead Cowboys: Pray for Rain for fixed-audio electronics — 6’
  • 2016 Atacameños for solo violin — 20’

Education

  • 2015 D.M.A. Composition — University of Michigan, Ann Arbor
  • 2010 M.M. Composition — University of Colorado, Boulder
  • 2007 B.A. Music — University of Puget Sound

Teaching

  • 2016-present University of Nebraska-Lincoln, Assistant/Associate Professor of Composition and Jazz Studies
  • 2015-present Brevard Music Institute, Brevard, NC, Artist-Faculty

Professional Memberships

  • American Society of Composers, Authors, and Publishers (ASCAP)
  • American Composers Forum
  • International Society of Jazz Arrangers and Composers
  • Society of Composers, Inc. (Region VI Co-Chair and Jazz Composition Award coordinator)